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小宮山大臣閣議後記者会見概要
from 厚生労働省新着情報
(2012-4-2 11:15)
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独立行政法人評価委員会労働部会(第71回)議事録
from 厚生労働省新着情報
(2012-4-2 10:00)
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独立行政法人評価委員会(第30回)議事録
from 厚生労働省新着情報
(2012-4-2 10:00)
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独立行政法人評価委員会年金部会(第34回)議事録
from 厚生労働省新着情報
(2012-4-2 10:00)
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第6回地域の就労支援の在り方に関する研究会(開催案内)
from 厚生労働省新着情報
(2012-4-2 10:00)
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「新規化学物質等に係る試験の方法について」のうち、微生物等による化学物質の分解度試験の一部改正に対す
from 厚生労働省新着情報
(2012-4-2 10:00)
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委託による統計の作成等及び匿名データの作成・提供について
from 厚生労働省新着情報
(2012-4-2 10:00)
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Relevance Logic
from Stanford Encyclopedia of Philosophy
(2012-3-27 12:05)
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[Revised entry by Edwin Mares on March 26, 2012.
Changes to: logice.html, logicnr.html, logicr.html, logics.html]
Relevance logics are non-classical logics. Called 'relevant logics' in Britain and Australasia, these systems developed as attempts to avoid the paradoxes of material and strict implication. Among the paradoxes of material implication are...
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Cellular Automata
from Stanford Encyclopedia of Philosophy
(2012-3-27 10:49)
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[New Entry by Francesco Berto and Jacopo Tagliabue on March 26, 2012.]
Cellular automata (henceforth: CA) are discrete, abstract computational systems that have proved useful both as general models of complexity and as more specific representations of non-linear dynamics in a variety of scientific fields. Firstly, CA are (typically) spatially and temporally discrete: they are composed of a finite or denumerable set of homogeneous, simple units, the atoms or cells. At each time unit, the cells...
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Alain LeRoy Locke
from Stanford Encyclopedia of Philosophy
(2012-3-24 11:27)
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[New Entry by Jacoby Adeshei Carter on March 23, 2012.]
Alain LeRoy Locke is heralded as the "Father of the Harlem Renaissance" for his publication in 1925 of The New Negro - an anthology of poetry, essays, plays, music and portraiture by white and black artists. Locke is best known as a theorist, critic, and interpreter of African-American literature and art. He was also a creative and systematic philosopher who developed theories of value, pluralism and cultural relativism that informed and were reinforced by his work on aesthetics. Locke saw black aesthetics quite differently than some of the leading Negro intellectuals of his day; most notably W. E. B. Du Bois, with whom he disagreed about the appropriate social function of Negro artistic pursuits. Du Bois thought it was a role and responsibility of the Negro artist to offer a representation of the Negro and black experience which might help in the quest for social uplift. Locke criticized this as "propaganda" (AOP 12) and arg ...
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